Ugandan music star Eddy Kenzo has dismissed a music battle challenge from fellow artist A Pass, describing their recent social media exchange as nothing more than a joke rather than a serious feud. The singer made it clear in a media interview that he is not interested in engaging in any musical duel and holds no grudges against A Pass.
The brief tension between the two artists surfaced in late March 2026 on X, formerly Twitter, after a fan comment appeared to compare them and spark competition. What began as online banter quickly gained attention when A Pass reacted to remarks linked to Eddy Kenzo by calling for a live music battle, suggesting they settle any perceived differences through their musical abilities instead of social media exchanges.
A Pass later reinforced his position through interviews and online posts, standing firm on his earlier criticism of Kenzo’s comments regarding the Copyright and Neighbouring Rights Amendment Bill. He argued that artists should focus more on understanding copyright and industry education, while also proposing a studio or stage clash as a creative way to resolve the situation. The comments fueled speculation among fans, with some linking the tension to differences in views on the copyright bill, political leanings, or general industry rivalry.
Eddy Kenzo, however, downplayed the entire situation and rejected the idea of a music battle. He stated that he is not a battler and has no intention of participating in such competitions, emphasizing that there is no silent beef between him and A Pass. According to Kenzo, the social media exchange was simply playful banter that was blown out of proportion by online discussions and media attention. He also maintained that he respects A Pass and does not see any reason for a confrontation.
The episode reflects the competitive yet collaborative nature of Uganda’s music industry, where artists often engage in light exchanges that quickly turn into trending topics. Eddy Kenzo, known for global hits such as Sitya Loss and his role in promoting Ugandan music internationally, has consistently positioned himself as a leader in industry matters, particularly in advocating for stronger copyright protections for musicians.
A Pass, on the other hand, is widely recognized for his songwriting, production skills, and outspoken personality. His willingness to speak openly on industry issues has made him a strong voice in discussions around copyright, artist rights, and creative freedom. The exchange between the two artists highlights how social media can amplify minor disagreements into major headlines even when the individuals involved do not consider them serious.
Some reports suggest that the situation has already cooled down, with both artists moving on from the brief exchange. Fans remain divided, with some supporting the idea of a friendly music battle for entertainment, while others believe such a showdown is unnecessary given the different styles and achievements of the two musicians.
In the end, Eddy Kenzo’s decision to dismiss the challenge and label the exchange as a joke has shifted the focus back to professionalism and unity within the Ugandan music industry. Rather than turning the situation into a public rivalry, the move reinforces the importance of collaboration and constructive dialogue on key industry matters such as copyright and artist protection.
